13 August 2015

Vaulting

This is one of those "tribute to everyone who performed before me tonight" poems from a gig at The Vaults in Cambridge last night that I headlined (and accidentally hosted - long story, all a bit strange). Poets included: Robin Lamboll, a lad called Nathan, Mark McGivern, J.S. Watts, Steve Oldham, Janis Ford, a lass called Katherine, and a feature set from Riaz Moola. In that order. Enjoy!

Vaulting

We have shuffled expressions,
Clocking spontaneity;
A hero strides,
Wider than widescreen,
While we curl into plumes
Of Utopian smoke,
Delicate as eggshells,
A clutch of hillside skies;
Butterflies dance,
Shy as snails,
While we are intoxicated,
Rose-blessed, accompanied,
Blissed-out in nature
As the colours turn.

And we turn in salt-rimed
Darkness, harkening to
The past, gifting history
With prophesy,
Making our own music.

31 July 2015

Marker

This angry poem needs some work but, whoever and wherever you are, it’s for you, and it needs to go out today. 

Sixteen years today
Sixteen years and grey hairs
Salt me,
Multiple choices mock me:
You’re recategorised.
Never mind,
I think she’d still recognise me.

And I’m joined every year
By more companions-in-grief
Reaching out,
Each one bludgeoned by
All the memories -
Sweet and bitter -
All the feelings -
Hot and cold -
All the exploded notions
Of continuity dashed,
Record houses now ash.

And she’d want to know,
So sometimes I tell her -
Even the things I never could
For fear of her fear,
Cringing from her pain.
And the rage gains ground
On these days,
Teeth worn to stubs where
None can see.

And I’m imagining the talk:
Me trying to outline
What we’ve got now
And what we’ve left behind.
I’m finding modern culture
Quite hard to describe,
Winding fists into
Minefields
In high definition

I’m surrounded by sound -
Some of it music so profound
That I’m lifted higher than
I ever thought I could reach,
And I’m preaching redemption
At every soul:
It gets better.
And it does.

Mummy, I’m a poet now
And yes, I still sing,
And I’m happy in my life,
And I thump drums
To guide others’ footsteps by
And - okay - no child -
But I’m proud of what I’m
Passing on.

But some of the chatter
Is noise for its own sake
And hate still holds sway
In too many hearts
And I worry that we’ve
Parted ways - those who
Sing of common spirit
And those who bang gavels,
Gabbling “common sense”
Rhetoric of division,
Flinging new walls higher

And while people are dying
Others are crying about lions
And decrying the desperate:
Let them eat cake
Let them bake in their own ovens
Let them them scramble and fail
Let them be inconvenient
Let them be the graffiti
On the marble bank fronts,
An affront to propriety,
No ladder for them -
Let them stay right there,
Let them bear the marks of our
Boot heels

We can clean that stain off
We’ve got all the chemicals
You could possibly want
And we’ve dropped taxes
And edited credits
And let everything that was fought for
Be no more than two pages
In a textbook

And look! The cat is dancing
Look! The puppy’s laughing
Look! The meercat’s grip tightens
We’re enlightened -
We’ve got an app for that.

And in the meantime
Changes are grating,
Prating ingrates
Scraping more for themselves
Off others’ plates
And we’ve seen this
Sort of thing before -
We can grade the score,
Draw the lines from
Then through now to
Eventual rebellion
We’ve got to draw lines,
And draw the line.

And I’m so psyched that
Love won,
But there’s still a lot to be done
Like: a metric fuck-ton
When equity is sneered at
As unfair,
Where religions who preach
In love’s name
Declaim against each other
And prop up ancient laws
And pour scorn on
People’s safety.

When rapists of all genders
Are engendered in silence
And nurtured in shame
Where game-players
Rake in cash that must
Make nurses sick.
Where pricks think
That hoisting a hastag
Will make more of a
Difference than this
Fucking poem.

(Because at least it’s more
Than seven score letters
And pre-packaged emotions.)

But you know what will
Make for change?
You know what will
Heal us, make us free?
Actually, it’s not a question:
You know how redemption goes
And how love flows
You know you’ve got to show
That - instead of tribe,
We are a species
Instead of species,
We are creatures
Instead of creatures,
We are the breathing,
Bleeding, needing,
Reaching, yearning,
Learning, teaching,
Evensong of starflesh,
The coalescence of
Scattered suns,
Spun-glass perfection in
Every cell and
We are all relative
And who fights more than
Family?

And that’s why we’re feeling
Jealous, see -
We know that we could have
What’s held up
As aspirations
And we flail at neighbours,
Those within our grasp
And it’s not fair.
I know. It’s not fair.

And maybe we can’t reach
The thieves
Who fleeced us yet,
But we can spend every second
Of the next set of years
Being the people we can be,
Arms hard around each others’
Shoulders, boldly loving
Everyone who needs it,
Staunching those who bleed
Instead of aping eejits
Clenched in greed.

“Pay no attention to them”
My mother always said;
She meant well,
And, to a certain extent,
That works,
But we’ll be cursed
If we let our gaze drift
Too far.
Too long.
Because they’re not them -
They’re us.

This is forty -
Caught up in all the things
I haven’t done
And am still yet-to-do,
Brooding on inequities
But feeling that I’ve got more
Power than at twenty-four,
A bigger voice,
More choices,
And more responsibility
To share out the equity
Of my comfortable life,
Strive for verity,
Stand firm,
And affirm love,
Even to those who have
Eschewed it.

Sixteen years to the day.
You told me you were proud of me.
Now I am too.

(But - like I said -
We’ve got some work to do.)

16 October 2014

Party

Written for the anniversary of the delicious Fen Speak last night:


Party


“Get set,” they said,
“And remember that fortune favours
The loud, and grasping,
Success the promulgation of the
Selfish gene.”

We said: “No”,
Rolled up sleeves, and
Rolled bones, smiling
To see the tiles tip
For true hearts,
Wise words,
And generous company.

This is a dance of wits
And wisdom,
Gifts from the infinite
Distilled and shared
In hand-fast rounds
Of like minds,
And matched hearts.

We’ve watched the circle march,
Sometimes from farther
Than we’d like,
And kick quiet,
Swinging feet,
Greeting each gift
With a gentle: yes.

Get set.

16 September 2014

One Last Verse

Today made a break from summer,
Thumbed its nose with roses
And mellow airs,
Dared autumn to take itself
Less seriously.

We scurried from work
Into balmy breezes,
Decelerated into strolls,
Growing softer at the edges,
Leisurely in this pledge
To hold against the days to come.

30 July 2014

Flipside

for Jude Cowan Montague

What must they think of us?
Hands up, wailing,
Caught between arguments
That mean nothing to our day-to-day

Bodies spin in dust and blood,
Throats raw, mouths stretched
To silent screams,
Exhausted by tragedy.

Pick up the pieces
Stretch out hands to those
Too far gone to see them,
Heads sunk to heaving chests
Get on with another day in hell.

What must they think of us?
Hands up, wailing,
Baffled by arguments
That mean nothing to our day-to-day

Heads spin at images of dust and blood
Clenched jaws stretch
To silent yawns,
Exhausted by tragedy.

Click on the pieces
Stretch to electronic pats for those
Too far away to be real,
Heads sunk to comfortable navels
Get on with another day in heaven.


Jude works as a Media Archivist and is currently sifting through images from the latest conflict in Gaza. The first line comes from a social media status update she made...

02 June 2014

Open-Hearted

A couple of weeks ago, I performed at the rather magnificent "JibbaJabba" up in Newcastle, as their headline poet, which was a tad daunting, considering the sheer quality of the open mic, let alone the featured performers...!

As it was their fourth birthday, and I kept being struck by lines people were blessing the ether with, I wrote them a poem knitted together of all my impressions of the evening up until I stepped onto the stage (if we added in the mayhem of the aftermath as a coda, it would be an even longer poem! :D), and read it to them.  This is it (possible differences from the original performance and this version are due to the fact that I had to extemporise gaps at the time, and this is my best guess for fillers):


Oration praises anything but silence
Generous heart parting hands
To embrace the waiting minds

The ouroboros snake hisses
kisses clasped fists,
Gasps up stolen
Golden handshakes

A soul's been psychedelised
Prizing nature's bounty,
Mounting the sweet, green foothills.

Dreams recall a tale
Slippery images glitter
Strangely.

Seagulls snigger,
Urban hipster birds
Skirl and shift,
Plot mayhem.

Ken's immortalised
In pithy verse,
Herding letters into figures.

Ugly night gripes every vessel,
Disgorges mortality.
Howls.

Verity beckons
Piscine kisses
Marine caresses better.

Sensitive skin tingles
Bristling into smoothnesss
Skating into napalm clarity

Ornithological torture,
Item by item,
Externalises challenge.

We are sheltered
Warm in the fire
Of a love burned to ashes,
Braced against the future.

We cup the ordinary,
Resisting the insistence
Of moneyed phalluses,
Grasp that it's all about true friendship.

Feathered fortress stands
Grand as the everyday,
Blows hard against venal incomprehension
Of corruption's nettlebed.

Understatements
Beckon us to rise
As speed is of the essence.

Street lines take us
To a flurry of shallows,
Dreaming of the deeps.

Pop goes the parrot
In glorious chorus
And we are all licensed,
Bright as buttons.

Check Twitter,
Refresh obsession.
Check Twitter.
Refresh.
Check.
Repeat. Fade.

Jewelled beauty glitters in
Underwater crevices
In place of seaweed,
Visited by fucked fishes.

Hearts hammer in the dark,
Bruised lips chain themselves
To nature.

Old wives tell of
The dark poison in the
Shadows, drawn in darkness.

Timpani talks
Takes a bow.

Protracted words
Pace on the stage,
Intricately link herbal mathematics.

We jibber and jabber
Clatter together
Words and hearts joined.
Beautiful.

13 March 2014

Pausing by 100 House

Children chatter in
Standford's stamping ground, now home
To blue birds' new songs.

They throng and warble
Daubing walls with bright colours,
Unmuffled joy and pain.

Memories sigh through
High walls while life goes on, and
History circles.



The house where Charles Villiers Stanford lived before he died, a childless, musically prolific former child prodigy with more famous pupils than famous tunes, is now a nursery. I love his music, and was tickled to see the blue plaque on the wall as I walked back to work this lunchtime.

I'm gearing up to NaPoWriMo again this year (only a couple of weeks away!), and the notion that you should just write poems based on anything and everything you see around you in a day.